Group exhibition
Exposition collective
18.03.2021—15.08.2021
Museo de Arte de Zapopan
Zapopan, MX
La diosa verde reloaded Avec : With: Daniel Dewar & Grégory Gicquel
The synesthetic landscapes generated by the works that make up La diosa verde reloaded seek to enter into dialogue about the drastic modifications undergone by the human, animal, and plant kingdoms over the last century, evoking our current technological relation to the environment, as well as to other systems of understanding it, such as those of the Indigenous peoples of the Americas. By placing under constant tension the idea of ruin ―not only the ruin of bygone cities and civilizations, but also the ruins of the ideals of modernity―, the exhibition makes reference to landscapes, imaginary gardens, mythical or historical representations of nature in relation to art, indigenous cosmologies, spirituality, technology, and science fiction. The artworks themselves ―like plant species in a botanical garden, architectural modules, or other kinds of figures― are intertwined in a deliberately apocalyptic congregation, rendered at once exotic and didactic, in order to bring out the ambiguities of the concepts of nature, authenticity, and exploitation.
https://maz.zapopan.gob.mx/
The synesthetic landscapes generated by the works that make up La diosa verde reloaded seek to enter into dialogue about the drastic modifications undergone by the human, animal, and plant kingdoms over the last century, evoking our current technological relation to the environment, as well as to other systems of understanding it, such as those of the Indigenous peoples of the Americas. By placing under constant tension the idea of ruin ―not only the ruin of bygone cities and civilizations, but also the ruins of the ideals of modernity―, the exhibition makes reference to landscapes, imaginary gardens, mythical or historical representations of nature in relation to art, indigenous cosmologies, spirituality, technology, and science fiction. The artworks themselves ―like plant species in a botanical garden, architectural modules, or other kinds of figures― are intertwined in a deliberately apocalyptic congregation, rendered at once exotic and didactic, in order to bring out the ambiguities of the concepts of nature, authenticity, and exploitation.
https://maz.zapopan.gob.mx/
Vue de l’exposition « La diosa verde reloaded », Museo de Arte de Zapopan, Zapopan, Mexique, 2021.
Exhibition view, “La diosa verde reloaded”, Museo de Arte de Zapopan, Zapopan, Mexico, 2021.
© Photo Itzel Hernández.
© Photo Itzel Hernández.

Vue de l’exposition « La diosa verde reloaded », Museo de Arte de Zapopan, Zapopan, Mexique, 2021.
Exhibition view, “La diosa verde reloaded”, Museo de Arte de Zapopan, Zapopan, Mexico, 2021.
© Photo Itzel Hernández.
© Photo Itzel Hernández.

Vue de l’exposition « La diosa verde reloaded », Museo de Arte de Zapopan, Zapopan, Mexique, 2021.
Exhibition view, “La diosa verde reloaded”, Museo de Arte de Zapopan, Zapopan, Mexico, 2021.
© Photo Itzel Hernández.
© Photo Itzel Hernández.
